The fourth play by Sarah Kane Crave is conceived as a string of poetic monologues, which are – compared to her previous works – written in the language evoking distinct visual imagery and drawing from the sphere of sensuality.

The book Anatomy of Movement: an Introduction to the Analysis of Movement Techniques, first published in 1984, offers comprehensive access to the basics of anatomy for all movement techniques: over 1000 illustrations with comments show the bones, joints, and muscles in movement.

In prose sometimes sombre, often high-spirited, and always accessible and moving, Touching Feeling interrogates – through virtuoso readings of works by Henry James, J. L. Austin, Judith Butler, the psychologist Silvan Tomkins and others – emotion in many forms.

Dancing Modernism/Performing Politics is an important revision of the evolution of modern dance, discussing the often overlooked political dimension of modern dance.

A translation of Lisa Nelson's selected writings, that have appeared in various publications, into Slovene language are published in a short booklet in order to expose her work to a broader Slovene public.

In the book The Ignorant Schoolmaster, Jacques Rancière illustratively shows what teaching and explaining actually mean and who can be taught, who needs to be taught, and what an individual, a group, and ultimately society should learn.

The book The Student Dancer by Julia Buckroyd interrelates the areas of pedagogy, social work, counselling, and psychology in connection to teaching and learning of dance, explaining how these areas help understand the human dimension of dance education.