duration and circularity as instruments of the desexualization of the naked body

through a choreography of withdrawal, the performance moves against historical time, gradually stripping away the posthumously produced images of Pasolini: cultural icon, political symbol, victim, police case, photographic document, dead body

a tender wrestling match with two winners

continuous support program of activities in the field of performing arts

research of (pop) artistic forms, a stroll through entertainment and critique, satire and tragedy, music and dance, feminism and strip-pleasure

play of (extreme) emotional states and fragments of stories from daily life

how different physical proposals generate a variety of sounds, spoken and unspoken voices—and vice versa

the performance questions the autonomy of bodies in surveillance capitalism through a choreographic intervention in a stand-up format

a composition of movement, an ode to life, an archive of fleeting moments, develops as a lyrical inventory of the banal and everyday, where every detail is imbued with a quiet meaning, memory and the ineffable beauty of everyday life