guest performance created by Matija Ferlin and Zagreb Dance Company in Ljubljana

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About Interface Fractures is a series of audiovisual explorations Luka Prinčič has been developing in collaboration with the Slovenian Cinematheque since 2013. The series&rsquo; cinema-sound episodes share the same method and format: an immersive situation in the darkness of the cinema, the use of digital and open source tools for generating image and sound, a dichotomy between fixed composition and improvisation in time, a tendency for abstraction out of which fragments of the concrete ari ...

The Exquisite Corpse comprises two choreographic miniatures: Archive: Deep Spin Fryer Dryer by Sara Janašković and Groove by Jan Rozman. The research is part of Emanat’s young authors’ projects intended to researching stage language.

Silicon is a metaphor for the cyberculture of contemporaneity, and in symbiosis with carbon, the basis for the biopolitics of technocapitalism.

This process-based hybrid performance offers a glimpse of the uniqueness of a seemingly fragile inner world of the individual who is wandering the complexities of the modern society in search of his centre, trying to find the long-lost “navel of the world”.

Where are the emotional states, life, breathing and affects of modern living stored?

New production by Urška Vohar, THREE bitches, TWO planets, ONE rocket, is a satirical collection of diverse excerpts from the industries of culture and entertainment. Inherent in reality on a precipitous slope.

Solo audio-visual performance deals with fractures, cracks and openings of contemporary medium - which is considered to be the multitude of interfaces between humans and machines.