Dance performance created by students of PSEGSL, Artistic grammar school, module: contemporary dance was inspired by the work of Laurence Louppe: The Poetics of Contemporary Dance.

Solo audio-visual performance deals with fractures, cracks and openings of contemporary medium - which is considered to be the multitude of interfaces between humans and machines.

What If is the second solo performance by choreographer Maja Delak. In 1995 she started her choreographoc career with a solo Manifestacija Introverta.

Transmittance#2, performed in June 2013 on triennial U3 in Ljubljana's Museum of contemporary art. Three hours performance is possible to follow live or on-line via http://transmittance.si, where audience could log in the chat room, interact with the performers and set the flow of the event.

4th Year Students of the Pre-School Education and Grammar School Ljubljana (dance department): A Room of One's Own - Evening of dance solos, generation 2012/13.

Event technoburlesque at the intersection of code and subjectivity is a dumb comedy of the body, which parodies the rigors of social roles; doing it so with plenty of music, images and movement.

The starting point for Pre-Première ’13, A Room of One’s Own, is Virginia Woolf’s 1929 essay of the same title, which is one of the most significant cultural-historical feminist literary works, as it was the first to articulate the demand for women’s right to spiritual, bodily, and intellectual integrity as well as the right to search for their own identity.

In her newest project Irena Tomažin once again uses the medium of voice and body as her tool(s) to tackle the themes of tradition, heritage and the status of voice(s) and images, which voice as a medium of oral tradition is carrying on, from one generation to the next.

The other at the same time is an experimental dance project based on a system researched in first group piece created by choreographer Matija Ferlin called Onformance. The intention of this project is to expand movement research and include the originality that written play brings once has been performed in relationship with the specific researched movement. Such principle evokes novelty for play-writers as well as for performers.