a research of what is "behind" the dance and the movement as result of a thought

a continuation of her exploration of the relations between the body, voice and (physical, intimate, social, symbolic, spiritual) space

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an immersive situation in the darkness of the cinema, the use of digital and open source tools for generating image and sound

in her first independent project Mtilda would like to continue working on ordinary things and discover almost endless possibilities of metaphors that those things can offer

About Interface Fractures is a series of audiovisual explorations Luka Prinčič has been developing in collaboration with the Slovenian Cinematheque since 2013. The series&rsquo; cinema-sound episodes share the same method and format: an immersive situation in the darkness of the cinema, the use of digital and open source tools for generating image and sound, a dichotomy between fixed composition and improvisation in time, a tendency for abstraction out of which fragments of the concrete ari ...

we will snatch what’s strange, weird, voluptuous, or carnal out of the images that fire our imagination

"There is no mysticism here whatsoever, only materiality in the widest possible sense."

The Exquisite Corpse comprises two choreographic miniatures: Archive: Deep Spin Fryer Dryer by Sara Janašković and Groove by Jan Rozman. The research is part of Emanat’s young authors’ projects intended to researching stage language.