"There is no mysticism here whatsoever, only materiality in the widest possible sense."

In his new creation A Play, Matija Ferlin continues to mine the inter-zone between the abstracted dancing body and the conventions of the theatrical. 

Strings of this velocity pull us in the states where we tend to function outside of ourselves. In the wheel of saturation instead of the state of being, of listening and hearing oneself.

New production by Urška Vohar, THREE bitches, TWO planets, ONE rocket, is a satirical collection of diverse excerpts from the industries of culture and entertainment. Inherent in reality on a precipitous slope.

What If is the second solo performance by choreographer Maja Delak. In 1995 she started her choreographoc career with a solo Manifestacija Introverta.

Event technoburlesque at the intersection of code and subjectivity is a dumb comedy of the body, which parodies the rigors of social roles; doing it so with plenty of music, images and movement.

In her newest project Irena Tomažin once again uses the medium of voice and body as her tool(s) to tackle the themes of tradition, heritage and the status of voice(s) and images, which voice as a medium of oral tradition is carrying on, from one generation to the next.

The other at the same time is an experimental dance project based on a system researched in first group piece created by choreographer Matija Ferlin called Onformance. The intention of this project is to expand movement research and include the originality that written play brings once has been performed in relationship with the specific researched movement. Such principle evokes novelty for play-writers as well as for performers.

Sad Sam Lucky, a solo creation by the Croatian choreographer and performer Matija Ferlin is a continuation of the ongoing romantic conceptual series SAD SAM that started in January 2004 in Amsterdam when the first Sad Sam Now I am was premiered. The second solo creation Sad Sam Almost 6 was presented in 2009.