duration and circularity as instruments of the desexualization of the naked body

through a choreography of withdrawal, the performance moves against historical time, gradually stripping away the posthumously produced images of Pasolini: cultural icon, political symbol, victim, police case, photographic document, dead body

small arts they know how to turn anger into humour, and the joy of performance into a form of resistance

mini-festival, featuring new release of electroacoustic music by sound artist Karmen Ponikvar alongside guests from Norway

a mini-festival, featuring two new releases of electroacoustic music

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concert

concert

a dance that exposes both the pleasure and impossibility of controlling the narrative