
Strings of this velocity pull us in the states where we tend to function outside of ourselves. In the wheel of saturation instead of the state of being, of listening and hearing oneself.

Absurd, hilarious, vital and critical. Since 2003, Public Recordings’ dance experiments have established that choreography can be the unbridled tension between what is known and what is emergent – while their performances have made the remarkable case that dance can change the way we understand everything.