study of the sonic-kinesthetic resonance phenomenon

exploring the body in motion and in stillness based on listening/awareness/reading the body in terms of anatomy

discussion among the participants of previous discussions on the methodologies

dancer, teacher, and choreographer Sinja Ožbolt and dramaturg and playwright Saška Rakef pursue The Lost Performance

initiation of the movement, focusing on few different areas/points of the torso and pelvis

a combination of body-weather warm up routine and explorational somatic exercises

the research of bodily structures as a basic method of tuning both our body and our perception at the same time

discussion about crucial contents that spark Delak's creative interests, such as developing a choreographic and dance language, the way collaborators influence the choice of creative principles, themes, and contents, different formats of her performances

finding pleasure in classical dance through raising the awareness of the movement and working on musicality