Transmittance#2

ABOUT PERFORMANCE

Transmittance#2 was the biggest and most complicated version of Transmittance until that moment. In the process and in the performance all the already developed tools for sound, video, streaming, texts and principles for communication and communication were included. The role of the moderator, who connects the performers in the space and the observers/actors on-line, and coordinates the flow of the event, became more imporanat and influential.

Before starting the process in Pula, some thematic frame was set for all the included artists and it was related to following texts:

"Appropriated from Divinity" (written by Eve Kosofsky Sedgwick & Michael Mann), Tendencies (1993), p. 227
Passive to-be-looked-at-ness / "The incarnated beauty. Between the painting and the pornography" by Silvia Mei
"A virtual desert. Reddish dust and sandstone, a cloudless blue sky. The sun hangs high over a far-away chain of mesas. A black window opens. Close-up of a sleeping face. I wake up and see a face watching me from very nearby." From Liesl Ujvary
101 TRUE INTERNET LOVE STORIES, Collected and edited by Andrea Wesselenyi
The Smurfette Priciple

Documantation of the project:
Transmittance #2 - 13.12.201 - Cultural Center Tobacco 001, Ljubljana, SI
General technical raider

CREDITS

Transmittance is a project proposed by Maja Delak & Luka Prinčič and is avaliable as research, educational and/or performance model including a preparation time and performance event that is streamed on-line.

Created and performed by: Loup Abramovici, Boštjan Božič, Maja Delak, Matija Ferlin, Jakob Leben, Luka Prinčič, Ana Pečar, Maja Šorli, Igor Štromajer, Jelena Ždrale, Nataša Živkovič
Photography: Nada Žgank
Executive production by: Nina Janež
Production assistant: Bojana Rudovič Žvanut

SUPPORT

Produced and organized by: Emanat Institute Ljubljana
Co-production: Tobacco Cultural Center 001 (MGML), Gallery Kapelica (Zavod K6/4), Ljubljana
Financially supported by: Ministry of Culture RS, City Municipality of Ljubljana