breakbeats for the feet and deeper head-nodding for the couch

research of modular synthesis and sound stories

contemporary deconstruction of electronic dance music

revision of oldschool breaks

operetta for ma’ams and violin

improvized noise-hiphop

harp and field recordings

electro-cabaret, part two.

ten written recordings of talks between choreographers and notators who either transcribed their records, either upgraded, collated, and prepared them for a written format